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However, he then does the ultimate douchebag move — and together with his pals, the girls are left ghosted right in the middle of a fancy slap-up meal. After spending a day with them drinking and dining their ladies, the boys promise them all a surprise at the end of a lunch, and disappear. By the time you read this, three galloping horses will be carrying us home to our mamas and papas.
We have left. Lament us briefly and replace us rapidly. Unfortunately for Fantine, Felix did more than leave a parting gift in the shape of a nice meal — and zooming ahead in time we see that she is now the mother to a daughter, named Cosette. The chord progression of the piano accompanied the vocal which drifted smoothly up and down with the change of emotion, while the percussion and string sections were presented softly in the background.
Remarkably, the leading position vocal in this song also illustrated the change of focus from band to vocalist in the late Swing era. In stark contrast, the B and C sections were much darker and developmental.
These sections were also played forte, as compared to the A section being played at piano. The tempo varied between each section, but not by much; all sections were played at Moderato.
However, Graff also used tempo rubato frequently throughout this piece, and most others as well. The melody was consistently on the treble clef, with arpeggios and chords in the bass. This song is loud throughout the piece. It starts out instrumental. It is in a minor, almost scary tune. They use crescendos very often. Accents were often used as well. One part of this melody, in the lower register, maintains a mostly steady pitch, modulating a whole step up.
Handclaps are added sparingly, but effectively, throughout. Some words of the song are translated to english. Fantine has just been fired from her factory job after it is discovered that she has an illegitimate child and takes to selling herself on the streets to pay for medicine for her daughter. Throughout the song an anguished, during and impoverished Fantine reminisces on happier days and descends back to the harsh reality that is her hopeless life.
There is a recitative-style introduction before the first verse as well as at the end of the song played by a digital sounding harp. This is sung …show more content… The contour of the verses in I Dreamed a Dream shapes the melody of the verses with its use of step wise and ascending patterns.
The bridge features an arpeggiated style which descends through the phase.
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